{"id":10239,"date":"2023-01-16T08:52:15","date_gmt":"2023-01-16T13:52:15","guid":{"rendered":"http:\/\/www.gallerymc.org\/h\/?p=10239"},"modified":"2023-01-16T13:57:53","modified_gmt":"2023-01-16T18:57:53","slug":"there-is-only-after","status":"publish","type":"post","link":"http:\/\/www.gallerymc.org\/h\/there-is-only-after\/","title":{"rendered":"There is Only After"},"content":{"rendered":"<p dir=\"ltr\">&nbsp;<\/p>\n<p dir=\"ltr\">New works from 8 emerging artists and the publication of a roundtable zine considering the art of repair in a paranoid age.<\/p>\n<p>&nbsp;<\/p>\n<p dir=\"ltr\">Opening event:&nbsp;<\/p>\n<p dir=\"ltr\"><strong>February 9th, 2023<\/strong><\/p>\n<p dir=\"ltr\"><strong>4-9 pm, live music at 7 pm<\/strong><\/p>\n<p dir=\"ltr\">549 West 52nd Street<\/p>\n<p>&nbsp;<\/p>\n<p dir=\"ltr\">\u2018There is Only After\u2019 is a group exhibition of visual arts including painting, sculpture, video, and installation, alongside an interview-based zine.&nbsp;<\/p>\n<p dir=\"ltr\">From Covid to TikTok and more, \u201cpost-pandemic\u201d humans have become accustomed to living with a panoply of viral cultures. Quarantining has catalyzed our participation in virtual worlds that present a \u201cbetter you, better them, a better life.\u201d The endless pursuit of a &#8220;better image&#8221; keeps us confined to a path of insatiable consumption that does more to bolster capitalism than nourish us, feeding the rotten roots underneath illusory prosperity.<\/p>\n<p dir=\"ltr\">But from the safety of the air-conditioned bedroom\u2014where isolation begets fever dreams that recount our worst memories, remixing them in the blaring vivacity of cartoon iconography\u2014just continuing to exist supersedes any previous ambitions. The bar for our own exceptionalism has become confusingly low and high at the same time, and the future looks like a black hole.&nbsp;<\/p>\n<p dir=\"ltr\">So, do we surrender to monotonous cycles of horror? Or could acts of care, which shine a light upon a speculative future that is at once messy, curious, and cherishable, be an alternative? This exhibition considers the gradation of surprise, carefully seen through a reparative lens:<\/p>\n<p dir=\"ltr\">\u2026to read from a reparative position is to surrender the knowing, anxious paranoid determination that no horror, however apparently unthinkable, shall ever come to the reader as new; to a reparatively positioned reader, it can seem realistic and necessary to experience surprise. Because there can be terrible surprises, however, there can also be good ones.&nbsp;<\/p>\n<p dir=\"ltr\">\u2013 Eve Kosofsky Sedgwick<\/p>\n<p dir=\"ltr\">Artists in this exhibition take kaleidoscopic positions on paranoia and each finds their way to acknowledge and eventually move across the canyon of despair that at one point seemed like a dark certainty. Of their positions, some question \u2013 how might we reframe trauma, savor that which lays waste, or encounter gnarled joy?<\/p>\n<p dir=\"ltr\">To consider reparative positions from diverse points of entry and where they might lead, the artists have interviewed practitioners across disciplines, activists, and others in conversation with their works in the hopes of building a communal bridge. These exchanges are available in a roundtable zine made collectively by the artists to accompany the exhibition.<\/p>\n<p dir=\"ltr\">Artists include Ashleigh Abbott, Aliya Al-Adwani, Katie Chin, Henrik Nordahl, Nat Peterson, Pauline Rossignol, Shay Salehi, and Shining Zhu.<\/p>\n<p dir=\"ltr\">This exhibition is endorsed and funded by The New School\u2019s Office of Research Support.<\/p>\n<p>&nbsp;<\/p>\n<p dir=\"ltr\">About Gallery MC:&nbsp;<\/p>\n<p dir=\"ltr\">MCNYC is a non-profit, multicultural, interdisciplinary art gallery committed to the research, production, presentation, and interpretation of contemporary art. The gallery supports established and emerging artists and explores ideas at the junction of arts, performance, and architecture. MCNYC has an open yet critical approach to the possible meanings of art in contemporary society.<\/p>\n<p>&nbsp;<\/p>\n<p dir=\"ltr\">Gallery is open by appointment only, if no specific gathering\/event is planned.<\/p>\n<p dir=\"ltr\">&nbsp;<\/p>\n<p dir=\"ltr\">Location:<\/p>\n<p dir=\"ltr\">Gallery MC,<\/p>\n<p dir=\"ltr\">549 West 52nd Street, 1st &amp; 8th Floor, Between 10th and 11th Avenue, (10 minute walk from 50th St. subway station, Hell\u2019s Kitchen)<\/p>\n<p dir=\"ltr\">Zip Code: 10019<\/p>\n<p dir=\"ltr\">Gallery MC Contact:<\/p>\n<p dir=\"ltr\">Gorazd Poposki, Director<\/p>\n<p dir=\"ltr\"><a href=\"mailto:info@gallerymc.org\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-safelink=\"true\" data-linkindex=\"5\">info@gallerymc.org<\/a><\/p>\n<p dir=\"ltr\">212.581.1966<\/p>\n<p>&nbsp;<\/p>\n<p dir=\"ltr\">Exhibition \/ Media Contact:<\/p>\n<p><a href=\"mailto:thereisonlyafter@gmail.com\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-safelink=\"true\" data-linkindex=\"6\">thereisonlyafter@gmail.com<\/a><\/p>\n<p>&nbsp;<\/p>\n\n<div class=\"ngg-galleryoverview caption-view  ngg-ajax-pagination-none\"\n\tid=\"ngg-gallery-fedd4f01a824db363d2cc85ed49a1079-1\">\n\n    <div class=\"ngg-caption-view-wrapper\">\n                                        <div id=\"ngg-image-0\" class=\"ngg-gallery-thumbnail-box ngg-3-columns\" >\n                                                    <div class=\"ngg-gallery-thumbnail\">\n                                <a href=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/art_image_shay_1.jpg\"\n                                   title=\"\"\n                                   data-src=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/art_image_shay_1.jpg\"\n                                   data-thumbnail=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/thumbs\/thumbs_art_image_shay_1.jpg\"\n            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class=\"ngg-gallery-thumbnail\">\n                                <a href=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/art_image_henrik_2.jpg\"\n                                   title=\"\"\n                                   data-src=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/art_image_henrik_2.jpg\"\n                                   data-thumbnail=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/thumbs\/thumbs_art_image_henrik_2.jpg\"\n                                   data-image-id=\"3119\"\n                                   data-title=\"art_image_henrik_2\"\n                                   data-description=\"\"\n                                   data-image-slug=\"art_image_henrik_2\"\n                                    class=\"ngg-fancybox\" rel=\"fedd4f01a824db363d2cc85ed49a1079\">\n                                    <img title=\"art_image_henrik_2\"\n                                         alt=\"art_image_henrik_2\"\n                                         src=\"http:\/\/www.gallerymc.org\/h\/wp-content\/gallery\/parsons_2023\/thumbs\/thumbs_art_image_henrik_2.jpg\"\n                                         width=\"240\"\n                                         height=\"160\"\n                                         style=\"max-width:100%;\"\/>\n                                <\/a>\n                                                                    <span style=\"max-width: 240px\">\n                                                                            <\/span>\n                                                            <\/div>\n                                            <\/div>\n                                        <\/div>\n\n    \n            <div class='ngg-clear'><\/div>    <\/div>\n\n\n","protected":false},"excerpt":{"rendered":"<p>\u2018There is Only After\u2019 is a group exhibition of visual arts including painting, sculpture, video, and installation, alongside an interview-based zine.\u00a0Artists include Ashleigh Abbott, Aliya Al-Adwani, Katie Chin, Henrik Nordahl, Nat Peterson, Pauline Rossignol, Shay Salehi, and Shining Zhu.<\/p>\n","protected":false},"author":2,"featured_media":10268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[5,4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/posts\/10239"}],"collection":[{"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/comments?post=10239"}],"version-history":[{"count":6,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/posts\/10239\/revisions"}],"predecessor-version":[{"id":10269,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/posts\/10239\/revisions\/10269"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/media\/10268"}],"wp:attachment":[{"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/media?parent=10239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/categories?post=10239"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gallerymc.org\/h\/wp-json\/wp\/v2\/tags?post=10239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}