<\/strong><\/p>\n <\/em><\/p>\n \u201c…and in a real dark night of the soul it is always three o’clock in the morning, day after day. At that hour the tendency is to refuse to face things as long as possible by retiring into an infantile dream\u201d<\/strong><\/em>– F. Scott Fitzgerald in \u201cThe Crack-up\u201d<\/em><\/p>\n <\/strong><\/p>\n About the project:<\/strong><\/p>\n Under the auspices of \u201cSK-2014\u201d a curious proliferation of statues, monuments and neo-classical and baroque architecture have been popping up across the Macedonian capital during the last few years. As a result of this still ongoing project, Macedonia\u2019s capital Skopje has been built, torn apart, rebuilt, covered and masked, undergoing a facelift beyond recognition. But the facelift goes much deeper under the surface. SK-2014 is a revisionist project which has been rewriting the history of the city and it has been redefining the identity. Much debated and with strong international and local opposition, the project has been under the scrutiny of the public, but nevertheless the government continued with the project, deeply carving through the Skopje urban landscape.<\/p>\n <\/p>\n “At 3 a.m.” is a personal photographic narrative of confrontation, transformation and intimate battle,documenting the trauma from the abrupt changes to the face of the city. Photographing the changing urban landscape, as well as the human landscape within it, it is an effort to make sense of the new reality, finding a way through the new landscape, of coming to terms with the city. It is not a project about documenting the change, but rather it is a project about the psychological impact of the change and a search for a sense of identity and community within the new landscape. The project represents photographer\u2019s personal gaze into memories, changes and socio-political impact on the individual and the community.<\/p>\n <\/p>\n \u201cIvan Blazhev\u2019s latest black-and-white photographic adventure is at the same time wakeful, as it is disconcerting and sleep depriving. It documents the trauma from the abrupt changes to the face of the city. From time to time, it throws red pepper in our eyes with the perspectives from which it observes the city. In his suggestive and subtle photographic nocturnes, Blazhev showcases his intimate view of contemporary Skopje. Even in his \u201cday-time\u201d photographs, he manages to capture a sense of the night, as well as the phantasmagoric and almost nightmarish feeling that pervades. The night setting is frequently depicted through the mild haziness of the photographed objects, while the oneiric ambience suggests that the night can be captured even with the sun in its zenith<\/em>.<\/em>\u201d <\/em><\/p>\n
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