- History of Macedonian Rock Scene 1963- 2023
Lecture by Tosho Filipovski Istorija na Makedonskata Rok Muzika 1963- 2023 Predavanje na Tosho Filipovski About Проект: Рок историја„Историја на Македонската рок музика, 1963-2023“ (аудио/визуелни изложба и предавања низ неколку градови во САД)ЗА ПРОЕКТОТПроектот е осмислен како двочасовно предавање за оичетоците развојот и сегашноста на македонската рок музика, сватена во поширок контекст (блуз, џез, фанк, панк, […]
- Li – Ber – Tas
Reception for the Artists on Wednesday, September 11th from 6 to 8 pm: Exit and Personal Identity Matter continues our exhibition relationship with contemporary Korean artists organized by Minsol Choi and Sunyoung Lee
- Waiting for Eternity: Towards the Exhibition “Adam’s Cry” by Nikola Pijanmanov
Nikola Pijanmanov’s art expresses his “Philosophy of Life” which naturally incorporates his vocation as an academic painter. Thematically, Pijanmanov resists the currents of the contemporary world:most of his works explore religious, and even Biblical, subjects. This exposes him to charges of being concerned with outmoded questions, something of which Pijanmanov is fully aware. He takes it into account in his work.
Lecture by Tosho Filipovski Istorija na Makedonskata Rok Muzika 1963- 2023 Predavanje na Tosho Filipovski About Проект: Рок историја„Историја на Македонската рок музика, 1963-2023“ (аудио/визуелни изложба и предавања низ неколку градови во САД)ЗА ПРОЕКТОТПроектот е осмислен како двочасовно предавање за оичетоците развојот и сегашноста на македонската рок музика, сватена во поширок контекст (блуз, џез, фанк, панк, […]
Reception for the Artists on Wednesday, September 11th from 6 to 8 pm: Exit and Personal Identity Matter continues our exhibition relationship with contemporary Korean artists organized by Minsol Choi and Sunyoung Lee
Nikola Pijanmanov’s art expresses his “Philosophy of Life” which naturally incorporates his vocation as an academic painter. Thematically, Pijanmanov resists the currents of the contemporary world:most of his works explore religious, and even Biblical, subjects. This exposes him to charges of being concerned with outmoded questions, something of which Pijanmanov is fully aware. He takes it into account in his work.