Composers Concordance: Pitches at an Exhibition II – The Ides of March –

Saturday, March 15th, 2014
6:30pm – reception
7pm – concert
Gallery MC
549 West 52nd Street (8th floor)
New York, NY 10019
“For the past 30 years, Composers Concordance has been a booster for local composers, through both its concerts across the city and a record label.” -The Wall Street Journal. “Enterprising new music organization” -The New York Times. On Saturday, March 15th at 7pm, Composers Concordance presents its contemporary music and art event ‘Pitches at an Exhibition II – The Ides of March’ at the innovative Gallery MC in NYC. The program will feature music of composers David Chesky, Luis Andrei Cobo, Charles Coleman, Dan Cooper, Franz Hackl, Gene McBride, Modest Mussorgsky, Milica Paranosic, Gene Pritsker, Dana Richardson, Eric Somers, and David Taylor, together with art by Josef Albers, Jo Brocklehurst, Rainer Gross, Rose Hackl, Carmen Kordas, Gorazd Poposki, Rammellzee, and Ronnie Taylor, among others. Performers include Andrew Borkowski, Nick Cooper, Anne Drummond, Dave Eggar, Taka Kigawa, and Derin Oge, plus featured soloist Gregor Kitzis on violin and musical saw.
Composers Concordance strives to present contemporary music in innovative ways, with an emphasis on thematic programming. Gene Pritsker, Dan Cooper, and Milica Paranosic co-curate the programs, and lead CCE, the ensemble-in-residence at William Paterson University. Venues in recent seasons have included Bohemian National Hall, Chelsea Art Museum, Cutting Room, Dimenna Center, Drom NYC, Gallery MC, LPR, Miller Theater, the Museum of Natural History, and Weill Recital Hall, among many others. Composers Concordance was founded in 1984 by Joseph Pehrson and Patrick Hardish, advised by Otto Luening. It has also created a new record label, Composers Concordance Records, with distribution by Naxos. Composers Concordance’s overriding vision is to see contemporary music, composers, and new works as a rightful and respected part of society. Good music, performed and recorded well, pushing the boundaries of sound and composition.

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